Belle And Sebastian

Belle and Sebastian then signed to Jeepster in August and the critically acclaimed LP "If You're Feeling Sinister" (JPRCD/LP/MC001) was released November 18th. The Support slot for the Tindersticks ICA Gigs, Followed by a headline show at the Borderline in early November brought the joys of Belle and Sebastian live to the south for the first time. The band then set about with the plan of spending the summer of 1997 releasing EP's, the first of these being "Dog On Wheels" on 28th April. This release contained early demos of the band, previous to all the current members joining, including the demo version of "The State I Am In". Mark Radcliffe had played the mastered Tigermilk version of this track relentlessly and for those without a copy of the vinyl masterpiece, the Dog EP (JPRCDS/12/7001) appeased the fans thirst enough to put the single in at Number 59 on the singles chart.

The second EP "Lazy Line Painter Jane", was released on July 28th, the Week of the seminal Union Chapel gig in Islington, London. Despite the poor sound, the band had the crowd dancing in the aisles (and pews) of the chapel. For most, this gig was their first B&S gig and a religious experience was shared by all. The "Lazy Jane" EP narrowly missed the top 40, crashing in at number 41, much to Chris Geddes (keyboards) amusement, as he had made bets with Jeepster boss Mark Jones that it would not get in. The band played two more gigs on their mini tour of the south-west in Oxford and Colchester, preparing them for their American debut.

The "Sinister" LP had been licensed in North America by Virgin subsidiary label the enclave since February. Belle and Sebastian journeyed over to New York in September to take part in the CMJ (College Music Journal) festival. They played two gigs at the Angel Oransanz Foundation Centre For The Arts, an old chapel in Greenwich Village. The excitement levels were so high, parts of the ceiling decided to join the band onstage, as Belle and Sebastian - literally - brought the house down.

The band were also invited to play at the Barcelona BAM festival in late September. This time their venue was an ancient courtyard at the Plaza Del Rei, and under a starry moonlit sky, beneath the gaze of a thousand gargoyles they captivated, yet again, another audience.

"3..6..9 Seconds Of Light" was the last of the summer EP's released on October 13th, and the music press finally realised just how important B&S are, when both the Melody Maker and the NME made it their single of the Week. Despite the lack of radio play, it became the bands' first top 40 hit, debuting at number 32 on the charts.

1998 saw the release of "The Boy With The Arab Strap", which became the biggest hit yet, hitting the charts at number 12, before disappearing without trace. The band disappeared too, but fortunately left a trace which led to the US and Europe on their first overseas tour.

Oh, and the band won "Best Newcomer" at The Brit Awards, much to the chagrin of Dennis Waterman, whose re-mix of "I Could Be So Good For You (Theme From Minder)" was deemed ineligible on grounds of being shit. However, Waterman's tears turned to cheers the next year when he was presented with an honorary award for "Best Thing To Happen To Rula Lenska".

The fourth single "This Is Just A Modern Rock Song" was released, backed by the sublime "Slow Graffiti".

1999 was a reasonably quiet year for the band. The only highlights were the re-release of "Tigermilk" and The Bowlie Weekender, Belle & Sebastian's own festival. Held at Pontin's Holiday Camp in Camber Sands, the festival featured Mercury Rev, Teenage Fanclub, Flaming Lips, Godspeed You Black Emperor, Mogwai and Broadcast among others, and spawned All Tomorrow's Parties.

The rest of the year, and the first half of 2000 saw the band locked up in CaVa with Tony Doogan, recording the songs that would eventually make up B&S' first Top Ten LP "Fold Your Hands Child, You Walk Like A Peasant". The accompanying single "Legal Man" was a Top 15 hit, and gave the band their first "Top Of The Pops" appearance, and their first brush with the law. It was a riotous appearance that degenerated into a blur of monkey butlers and roses.

The ever-expanding B&S line-up had a bit of a blow when Stuart David departed to concentrate on Looper and writing books. But it's alright. Playing the bass isn't exactly rocket science.

The members of the band took the rest of the year off to concentrate on other projects; Bel's Gentle Waves; Mick with The Amphetameanies; Beans and Stevie with V-Twin and Richard with Snow Patrol.

They reconvened in January 2001 to record some new songs, again with Doogan. The first of these, "Jonathan David", was released as a single on June 18th 2001, becoming a minor hit in the UK and a major hit in Brazil. The band celebrated by playing a 13-date tour of the UK, as well as sell-out trips to the USA, Spain, Japan and Brazil. Having survived various gruesome tour initiation tests, "Belfast" Bobby Kildea was poached from V-Twin, joining the band as full-time bassist. He lacks the boy David's dry, cutting wit, but is somewhat easier on the eye.

The second and final single of the year was called "I'm Waking Up To Us", and was released in November 2002. It was the first time the band had collaborated with a producer; the producer in question being Mike Hurst, the man behind several great '60s hits, and loads of dodgy '80s stuff.

Large chunks of 2002 were also spent recording "Storytelling", the soundtrack album to Todd Solenz's film of the same name. As it turns out, a lot of the album doesn't feature in the film, but the film at the very least, inspired all the music. Alright?

The rest of 2002 was spent on the road, or so it seemed, performing shows in the UK, Denmark, Sweden, Holland, Belgium, France, Italy, the USA, Canada, Norway, Germany, Greece, Portugal and Spain. Sadly there was another casualty along the way; Isobel was the next to falter, returning home midway through the US tour. She’d never tried to pretend the rock’n’roll life suited her, and the cons had started to outweigh the pros. So that was that.

Another significant change occurred, with the band leaving Jeepster Records. Times had changed for both parties and there was a mutual understanding that everyone would be better off trying something new. As far as B&S were concerned, that something new was Rough Trade Records. For Jeepster it was ceasing to release B&S records, in favour of a long-planned B&S DVD compilation.

One of the highlights of the year was in December, when B&S went to London to play at John Peel’s Christmas party. Some new songs were aired, and a drunken choir joined the band for some carols. For many though, the climax was a unique take on “The Twelve Days Of Christmas” where Richard finally got to do his bird impressions.

Which brings us to 2003. Belle & Sebastian have completed what must be, ohh, their 6th studio album. Recorded in Sussex and London with ‘80s maestro Trevor Horn (Buggles, Yes, ABC, TATU, Frankie Goes To Hollywood), “Dear Catastrophe Waitress” is the first album to feature Bobby and not Isobel and is released worldwide on October 6th. The band played their biggest ever headline shows in NYC, LA and San Fran in August. They weren’t sure whether Neil Diamond’s “Love at The Greek” was recorded in the LA or San Fran Greek Theater, so they did both to be on the safe side. They’ll be off to the US again in late October and making it around the UK in December to showcase the new tunes from the record. The rest of you will unfortunately have to wait til 2004, but they’ll hopefully make it to Outer Mongolia then.

The Jeepster DVD will be released on October 20th, and it tells the story of B&S 1996 – 2003 in a far more eloquent and entertaining way than this. There’s loads of unreleased and unseen footage – as well as a few dodgy haircuts – on there which should hopefully make you giggle as much as it did us.

November 17th sees the release of the bands first single from an album in the form of “Step Into My Office, Baby”. The video is in the style of the seventies “Confessions…” films and stars Richard as the Window Cleaner come Office Piece of Fluff. Graham Linehan – he of Father Ted fame – graciously accepted B&S’s request to write and direct the video, which instigated the biggest amount of back slapping “I love your work” you could imagine.